About these works

These works focus on instrumental and vocal technique, embodiment, dramatic structure and sonic event structures. 

Featured Works

Poem in Silence for solo voice – 5
A cell-based improvisatory theatre piece exploring the sensation of an epileptic seizure.

En un vergier sotz fuella d’Albespi for Alto + Bass throat-singing duet – 5’30”
A setting of medieval French Occitan poetry utilising throat-singing techniques to create harmony between the voices.

Vocal Works

Poem in Silence for solo voice – 5’
Performed by multiple artists including a tour of Denmark by Annemette Pødenphandt and broadcast on Radio Denmark
A cell-based improvisatory theatre piece exploring the sensation of an epileptic seizure.

En un vergier sotz fuella d’Albespi for Alto + Bass throat-singing duet – 5’30”
Commissioned and Performed by Bright Cecilia
A setting of medieval French Occitan poetry utilising throat-singing techniques to create harmony between the voices.

Ensemble Works

Madrigale in 12 parts for three trombones – 10’A piece derived from Renaissance chanson Madre, non mi far monica that treats different aspects of trombone playing technique as separate contrapuntal lines.

Ph’nglui mglw’nath Cthulhu R’lyeh wgah’nagl fhtagn for String Quartet – 5’
A piece that analyses component aspects of speech and translates them across the string quartet in an attempt to “pronounce” the cultist chant (otherwise unpronounceable) from H.P. Lovecraft’s The Call of Cthulhu

Fl. Vcl.  for flute and violoncello – 9’
Commisioned by Late Music for Trio Atem
An exploration of instrumental technique and sonority as a structural mechanism, in dialogue with the music of Helmut Lachenmann

Sop. Fl. Vcl. Atem for soprano, flute and cello – 7’
Commissioned by Late Music for Trio Atem
An extended exploration of the concerns of Fl. Vcl. Incorporating a solo soprano and investigating over-tones and white noise.